29/01/2010

HIMALAYAN TRIBAL ART HIMACHAL PRADESH TRIBAL ART "UNIVERSAL PRIMITIVE ARCHETIPIC SYMBOLS IN SOME ANCIENT NORTHERN INDIAN HIGH RELIEF CARVED WINDOWS FROM SANATAN KHAVADYA COLLECTION NEW DHELI"

ETHNOFLORENCE

INDIAN AND HIMALAYAN FOLK AND TRIBAL ARTS

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2008 2016

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RICHARD LAIR COLLECTION

A SENSITIVE SELECTION

http://ethnoflorence.skynetblogs.be/post/7615096/richard-...

 

 

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http://ethnoflorence.skynetblogs.be/post/7615096/richard-...

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NEPAL 

SHAMANISM AND TRIBAL SCULPTURE

http://ethnoflorence.skynetblogs.be/post/7575469/nepal-ch...

Christian Lequindre, Marc Petit.

In collaboration with NEPAL TRIBAL ART

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 see more on:

http://ethnoflorence.skynetblogs.be/post/7575469/nepal-ch...

and

www.nepaltribalart.com

About the Authors:

MARC PETIT

Writer and collector, he has donated a collection of masks from Nepal to the Musée des Arts Premiers Quai Branly, Paris.

Among his books:

- « A Masque découvert, regards sur les arts primitifs de l’Himalaya », Stock, 1995.

- « La Statuaire archaïque du Népal occidental », Renaud Vanuxem, 2006.

-« Le Masque de la Chine », Musée Jacquemart André, Actes Sud, 2007.

-CHRISTIAN LEQUINDRE

Photographer and collector, he has been resident in Nepal since the 1980s.

He carried out multiple field studies between 1995 and 2005 and produced three documentaries on different masks traditions in Nepal.

He has also directed the Annapurna Gallery in Paris from 1989 to 1995.

Publisher: Infolio

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UNIVERSAL PRIMITIVE ARCHETIPIC SYMBOLS IN SOME ANCIENT NORTHERN INDIAN HIGH RELIEF CARVED WINDOWS FROM SANATAN KHAVADYA COLLECTION

NEW DELHI

Unique on the Web.

www.tribalartsindia.co.in

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Courtesy Sanatan Khavadiya

-THE VILLAGE GODS OF SOUTH INDIA

THE MOST COMPLETE PAGE OF THE WEB DEVOTED TO THE GRAMA DEVATAS OF SOUTH INDIA, AND NOT ONLY.

A REPORT ABOUT THE UNIQUE FIELD DOCUMENTATIONS THAT  HARRY HOLTZMAN COLLECTED 50 YEARS AGO.

"The Grama Devatas represent still today an important key to understanding the basic model of thought of a  part of South Indian population, still living the village way of life. These particular forms of image and worship have further the extraordinary characteristic of representing the most ancient tradition of the earliest past brought into the present. From the religious art view point, the village shrines represent an outstanding expression of forms and sites unique to India. Mr Stephen Inglis in his writing "Night Riders: Massive Temple Figures of Rural Tamil Nadu", about the terracotta horses of South Indian Shrines wrote that "... technically they are the most ambitiuous achievements in clay found in India and by any survey probably the largest hollow clay images to be created anywhere." 

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 SEE MORE ON http://ethnoflorence.skynetblogs.be/post/6493657/the-vill...

 

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Quel formidable ensemble de motifs

Écrit par : sanza | 29/01/2010

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